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Om by Chris Abani
1.
The hills of my childhood are purple with dusk and wings—
guinea fowl launched like a prayer to the still forming moon.
I hold Bean’s shell to my ear. There is no sea. But only sea.
By my bed, in an empty chair, my shirt unwinds.
I remember my aunt counting the dead in the newspaper.
I never told anyone that every sliver of orange I ate
was preceded by words from high mass.
Per omnia saecula saeculorum.
Spit out pit. Amen.
Juice. Amen. Flesh.
2.
A full moon leaning on a skyscraper. The taste:
qat and sweets on a tropical afternoon.
The dog’s black tongue was more terrifying than its teeth.
The gravestone rising out of the puddle was more sinister
than the body we discovered as children swinging
in the summer-hot orchard.
3.
The old woman singing a dirge has a voice of dust.
Sorrow lodged like a splintered bullet next to the heart.
A man once asked me in the street:
Do you own your own bones?
She like the home I come in, I say to Cristina
as we drive toward the Golden Gate.
Bean, I repeat.
She loves the home I come in
and I am alive with fire and scars.
Here is my body, I say, eat it, do this,
remember me—
4.
Even now melancholy is a skin flayed
and worn in dance through the city.
Yes, the city becomes skin too and wears me
as skin and I want to say, This is my body , as I stroke
the curve of the fountain in the park.
This is my blood. Drink it. Remember.
The safety of doorways is an illusion.
They lead nowhere.
This is why we build houses.
Sand, when there is no water, can ablute,
washing grain by grain even the hardest stone of sin.
But you, but you, you are a sin that I live for.
Ne Me Quitte Pas. Ne Me Quitte Pas. Ne Me Quitte Pas.
Nina’s voice walks in dragging bodies,
dead black men that bled unseen in the dark
of southern nights, shaded by leaves
and the veiled eyes of hate.
And in a poem, Lucille stands in the shadow of a tree
and pours libations for our souls,
for our salt, for our gospel.
5.
Somewhere a man speaks
in the dark, voice lost to rain.
I know this hunger, this need
to make patterns, to build meaning
from detritus; also the light
and the wood floor bare but for the lone slipper
tossed carelessly to one side. I admit the lies I’ve told.
Look, nothing has to be true
since that picture of hell on the living-room wall lost its terror.
I say I want a strong woman, but unlike Neto
I cannot have the woman and the fish.
The war followed.
Children are losing their souls to the heat.
That is to say, poor American soldiers.
The rich have found a way to charge theirs to Amex.
Ask this: what is the relationship of desire to memory?
Here is a boy in the airport café, hair cropped from service.
And he closes his eyes to take a sip of coffee.
And smiles as the dark washes the desert away.
6.
Los Angeles:
A red sky and angels thick like palm trees,
and garbage blown in the wind like cars
and the gluttony of SUVs
in an endless river of traffic.
Through the dark, we say, through the dark:
but do we ever really know?
There is a man in a field and he is searching for God.
Father, he says, Father.
In the distance, birds, traffic, and children.
There is a blue sky. There is a sky blue with night.
The call of the earth is a primitive song,
stomping feet and broken men.
There is a blue sky. And night.
The city is a flock of lights.
The darkness of tunnels like caves is knowledge,
also mortal. Maps are like God.
They are the city yet not the city.
They contain the city but yet do not.
We trace the lines in loss.
Sometimes we find treasure.
Sometimes something fills the mind,
something at which we pause, stopped.
The way a photograph cannot remember the living.
7.
To die is to return.
To fly is to be a bird’s heart.
Neither is freedom.
If it were we would have no name for it.
No language. Not even the temptation of wind
blowing a dark woman’s hair away from a cliff’s edge.
Instead, feathers are brought to my door every day by mystery.
Kindling for a fire, a beacon, an epiphany I cannot light.
This is the body of Christ.
Sanctificum.
General Introduction
Chris Abani's poem "Om" is a deeply reflective piece that weaves together themes of memory, identity, spirituality, and the human condition. Abani, known for his powerful and evocative writing, draws on his personal experiences and cultural heritage to explore complex emotions and universal truths. The poem is rich in imagery and symbolism, creating a tapestry of thoughts and feelings that resonate with the reader on multiple levels.
Title
The title "Om" refers to a sacred sound and spiritual icon in Indian religions, symbolizing the essence of the ultimate reality or consciousness. It suggests a meditation on existence, connecting the poem's exploration of life, death, and the spiritual journey.
Themes
1. Memory and Nostalgia:
- The poem opens with a recollection of the speaker's childhood: "The hills of my childhood are purple with dusk and wings—" (Line 1). This vivid imagery evokes a sense of longing for the past and the simplicity of childhood memories.
2. Spirituality and Ritual:
- Abani infuses the poem with spiritual references, blending them with everyday actions: "Per omnia saecula saeculorum. Spit out pit. Amen. Juice. Amen. Flesh." (Lines 6-8). This juxtaposition of religious language with the mundane act of eating an orange highlights the intertwining of spirituality and daily life.
3. Sorrow and Loss:
- The poem frequently touches on themes of death and mourning, such as in the lines: "I remember my aunt counting the dead in the newspaper" (Line 5) and "The old woman singing a dirge has a voice of dust. Sorrow lodged like a splintered bullet next to the heart." (Lines 13-14). These images convey the pervasive presence of loss and grief.
4. Identity and Self-Reflection:
- The speaker grapples with questions of identity and existence: "Do you own your own bones?" (Line 15). This line prompts a deep introspection about the nature of self and belonging.
5. Conflict and Violence:
- The poem references war and violence, both personal and collective: "The war followed. Children are losing their souls to the heat." (Lines 32-33). This highlights the impact of conflict on individuals and society.
Literary Devices
1. Imagery:
- Abani's use of vivid imagery paints a striking picture: "A full moon leaning on a skyscraper. The taste: qat and sweets on a tropical afternoon." (Lines 9-10). This sensory description enhances the reader's experience of the poem.
2. Symbolism:
- The recurring image of the moon symbolizes change and the passage of time: "guinea fowl launched like a prayer to the still forming moon." (Line 2). This symbolizes the connection between the earthly and the celestial.
3. Juxtaposition:
- Abani contrasts different elements to highlight their differences and similarities: "The dog’s black tongue was more terrifying than its teeth." (Line 11). This juxtaposition emphasizes the unexpected and often hidden aspects of fear.
4. Repetition:
- The repetition of phrases, such as "Ne Me Quitte Pas" (Line 22), reinforces the theme of longing and the plea for not being abandoned, echoing a sense of desperation and emotional intensity.
5. Metaphor:
- The poem uses metaphors to convey deeper meanings: "melancholy is a skin flayed and worn in dance through the city." (Line 18). This metaphor describes how sorrow becomes an integral part of the speaker's existence.
6. Personification:
- Abani personifies inanimate objects to imbue them with life and emotion: "my shirt unwinds." (Line 4). This adds a layer of surrealism and depth to the imagery.
Language and Mood
The language of the poem is lyrical and contemplative, filled with rich, evocative imagery that creates a somber and reflective mood. Abani's use of poetic devices enhances the emotional impact, drawing the reader into a world of introspection and deep feeling. The tone shifts between nostalgic, mournful, and meditative, mirroring the complexity of the themes explored.
Structure
"Om" is structured in seven sections, each delving into different aspects of the speaker's thoughts and experiences. The free verse form allows for a fluid and organic flow of ideas, mirroring the stream-of-consciousness style. The lack of a strict rhyme scheme or meter reflects the poem's meditative and introspective nature.
Context
Chris Abani is a Nigerian-American writer whose work often explores themes of exile, identity, and the human condition. "Om" reflects his personal and cultural heritage, blending African and Western influences. The poem's references to religious rituals and spiritual practices highlight Abani's interest in exploring the intersections of different belief systems and their impact on individual and collective identities.
Conclusion
"Om" by Chris Abani is a poignant and thought-provoking poem that delves into the intricacies of memory, identity, spirituality, and the human experience. Through rich imagery, symbolism, and lyrical language, Abani invites readers to reflect on their own lives and the connections between the past and present, the sacred and the mundane. The poem's meditative quality and profound themes make it a powerful piece that resonates on multiple levels, offering insight into the universal quest for meaning and understanding.
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