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Black of eternal blackness,
With large voluptuous lips,
Matted hair and brown liquid eyes,
Figure of gainly form, is He,
For in His image are we made.
Our God is black.
___An except of the poem
General Introduction
"Our God is Black" by R.E.G. Armattoe is a poem that reflects the poet's strong identification with African identity and a rejection of the colonial mentality that demonized blackness. The poem forms part of the broader Pan-Africanist movement, where Black intellectuals and artists sought to reclaim and celebrate their identity against the backdrop of colonialism and racism. Armattoe, a significant figure in African literature and Pan-Africanism, uses this poem to emphasize the divinity and beauty inherent in Blackness.
Title
The title, "Our God is Black," is a bold and declarative statement. It immediately sets the tone for the poem, challenging the Eurocentric depictions of God as a white figure. By stating that God is Black, Armattoe directly confronts the reader with the idea of divinity being intertwined with Blackness, which was revolutionary, especially in the context of the time when the poem was likely written.
Themes of Our God is Black by R.E.G. Armattoe
The poem "Our God is Black" by R.E.G. Armattoe touches on several profound themes that are reflective of the poet's deep engagement with African identity, pride, and the struggle against colonial narratives. Here are some key themes explored in the poem:
1. African Identity and Pride: The poem emphasizes the significance of African identity by portraying God as Black, which challenges the traditionally Eurocentric depictions of divinity. By stating "Our God is black," Armattoe reaffirms the beauty and worth of Blackness, encouraging a sense of pride among Africans.
2. Colonial Resistance: Through the depiction of a Black God, the poem subtly resists colonial narratives that often devalued African culture and people. It suggests a reclaiming of spiritual and cultural authority that had been undermined by colonial rule.
3. Unity and Solidarity: The poem's reference to all humanity being made in the image of this Black God underscores a theme of unity. It suggests that recognizing and embracing African heritage can serve as a unifying force among Black people globally.
4. Cultural Reaffirmation: The vivid description of God with African features (e.g., "large voluptuous lips," "matted hair") is a celebration of African aesthetics, countering the negative stereotypes that were prevalent during and after colonialism.
Armattoe's work reflects his broader intellectual and political engagement with issues of African identity and anti-colonialism, as evidenced by his other writings and speeches, including his advocacy for the unification of Ewe people and his critiques of emerging post-colonial African leadership
Literary Devices
Armattoe employs several literary devices to drive his message:
- Imagery: The poem is rich in vivid descriptions that paint a clear picture of a Black deity. Phrases like "large voluptuous lips," "matted hair," and "brown liquid eyes" create a strong visual image that aligns with African physical characteristics. These images are powerful in their simplicity, directly countering the often negative connotations associated with these features in racist portrayals.
- Repetition: The repeated assertion that "Our God is black" reinforces the central theme and serves as a mantra or affirmation of Black identity. This repetition underlines the pride and defiance in the poem, making it both a declaration and a celebration.
- Symbolism: Blackness in the poem symbolizes not just the physical appearance but also the cultural, spiritual, and historical depth of the African people. By attributing these qualities to God, Armattoe elevates Blackness to a divine status, challenging the derogatory associations imposed by colonialism.
Language and Diction
Armattoe's language is direct and unapologetic. He uses straightforward, descriptive language to portray the physical features of the Black God, making the poem accessible while still powerful in its message. The diction reflects a deep respect and reverence for Blackness, turning traits that were often ridiculed or devalued into symbols of beauty and divinity.
Mood and Tone
The tone of the poem is one of pride and reverence. Armattoe approaches the subject with a sense of empowerment, transforming what could be seen as a subversive act into a celebratory one. The mood is assertive, as the poem not only celebrates Blackness but also reclaims it in the face of a world that often dehumanized it.
Context
The poem fits within the broader context of the Pan-Africanist movement, which sought to unite Africans and people of African descent in the diaspora against colonialism and racism. Armattoe, a contemporary of figures like Kwame Nkrumah and Léopold Sédar Senghor, was deeply involved in this movement. His work reflects the intellectual and cultural renaissance among African peoples during the mid-20th century, a period marked by the struggle for independence from colonial powers and the affirmation of Black identity.
Conclusion
"Our God is Black" by R.E.G. Armattoe is a powerful piece of literature that asserts the beauty and divinity of Blackness. Through vivid imagery and bold declarations, Armattoe challenges the racist and colonial narratives that sought to dehumanize Black people. The poem stands as a testament to the Pan-Africanist movement's efforts to reclaim and celebrate African identity, making it a significant work in both African literature and the broader history of Black consciousness.
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