Her Joy is Wild by Wole Soyinka

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HER    JOY    IS    WILD


Her  joy   is   wild,wild

Wave-breaking   she   proclaims,

Your   strong  teeth  will  weaken

If  you  nibble  the  rind.


Her   strength   is   wild,wild

Wild  as  the  love  that  sings  -

This   is   the   last-born;give   me

A  joyful  womb  to  bind.


The   hour   is   wild,wild

Denies   the   wispy   moments.Yet When  the  fist  is  loosened,when   

The   knot   is   cut,you'll   find


Skeins     of    hair.Wild,wild

Her   laughter,dreaming   that   the   tribe

Had slain the senile chieftain

That   the   rite   -was   kind.


Her   words   are   wild,wild

Shell   the   future,place   the   nut

Between  my  teeth  -and  I  denied  her

Nothing,maimed  on  her  vision  of  the   blin



Analysis of the poem


In Wole Soyinka's poem "Her Joy is Wild," the speaker celebrates the untamed nature of a woman's joy, strength, and spirit.


The first stanza portrays the woman's joy as wild and powerful, likening it to wave-breaking. She warns against attempting to diminish it, suggesting that even strong teeth will weaken if they try to nibble at its essence.


The second stanza continues this theme, describing the woman's strength as wild and paralleling it to the wildness of love. She desires a joyful womb to bind, indicating a longing for fruitful and joyous experiences.


The third stanza introduces the idea of time's wildness, denying delicate moments and emphasizing the inevitability of change. Despite this, the poem suggests that within these changes lie hidden treasures, symbolized by the skeins of hair.


In the fourth stanza, the woman's laughter is described as wild, dreaming of a tribe that has liberated itself from outdated traditions. Her words are depicted as wild too, capable of shaping the future and challenging existing norms.


Overall, the poem celebrates the unrestrained nature of the woman's joy, strength, laughter, and words, portraying her as a force to be reckoned with, unbound by societal constraints and expectations.


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