Limits by Christopher Okigbo

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Suddenly becoming talkative

 like weaverbird


Summoned at offside of

dream remembered

Between sleep and waking,


I hang up my egg-shells

To you of palm grove,


Upon whose bamboo towers

Hang, dripping with yesterupwine


A tiger mask and nude spear…

Queen of the damp half-light,


I have had my cleansing,

Emigrant with airborne nose,

The he-goat-on-heat



For he was a shrub among the poplars,

Needing more roots

More sap to grow to sunlight,

Thirsting for sunlight


A low growth among the forest.

Into the soul

The selves extended their branches

Into the moments of each living hour

Feeling for audience


Straining thin among the echoes;

And out of the solitude

Voice and soul with selves unite,

Riding the echoes,


Horsemen of the apocalypse,

And crowned with one self

The name displays its foliage,

Hanging low


A green cloud above the forest.


Banks of reed.

Mountains of broken bottles.

& the mortar is not yet dry….


Silent the footfall

soft as cat’s paw,

Sandalled in velvet,

in fur


So we must go,

Wearing evemist against the shoulders,

Trailing sun’s dust sawdust of combat,

With brand burning out at hand-end.


& the mortar is not yet dry…

Then we must sing

Tongue-tied without name or audience,

Making harmony among the branches.

And this is the crisis-point,


The twilight moment between

sleep and waking;


And voice that is reborn transpires

Not thro’ pores in the flesh

but the soul’s backbone

Hurry on down

through the high-arched gate –

Hurry on down

little stream to the lake;

Hurry on down –

through the cinder market

Hurry on down


in the wake of the dream;

Hurry on down –

To rockpoint of CABLE

To pull by the rope

The big white elephant…

& the mortar is not yet dry

& the mortar is not yet dry…

& the dream wakes

& the voice fades

In the damp half-light,

Like a shadow,

Not leaving a mark.


An image insists

from the flag-pole of the heart,

The image distracts

with the cruelty of the rose…

My lioness,

(No shield is lead-plate against you)

Wound me with your seaweed face

Blinded like a strongroom.

Distances of your

arm-pit fragrance

Turn chloroform,

enough for my patience –

When you have finished,

& done up my stitches

Wake me near the altar

& this poem will be finished.

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